Veit Harlan: The Life and Work of a Nazi Filmmaker (Screen Classics)

Veit Harlan (1899–1964) was one of Germany's most controversial and loathed directors. After studying with theatre and film pioneer Max Reinhardt and beginning a promising career, he became one of Joseph Goebbels's leading filmmakers under the National Socialist regime. Harlan's Jud Süss (Jew Suss, 1940), in particular, stands as one of the most artistically distinct and morally reprehensible films produced by the Third Reich. His involvement with this movie has led to many critical questions: Was the director truly forced to make the film under penalty of death? Is anti-Semitism a theme in his other productions? Can and should his work be studied in light of the horrors of Nazism and the Holocaust?The first English-language biography of the notorious director, Veit Harlan presents an in-depth portrait of the man who is arguably the only Nazi filmmaker with a distinct authorial style and body of work. Author Frank Noack reveals that both Harlan's life and work were marked by creative vision, startling ambiguities, and deep moral flaws. His meticulously detailed study explores the director's influence on German cinema and places his work within the contexts of World War II and film history as a whole.Rivaled only by Leni Riefenstahl, Veit Harlan remains one of Germany's most infamous filmmakers, and virtually every book on Nazi cinema contains at least one chapter about Harlan or an analysis of one of his movies. This biography―supplemented by production histories and rare interviews with actors, actresses, and cameramen―offers the first comprehensive analysis of the director and his work and adds new perspective to the growing body of scholarship on filmmaking under the Third Reich.

Product details

Hardcover : 199 pages
Title : Veit Harlan: The Life and Work of a Nazi Filmmaker (Screen Classics)
Language : English
ISBN-10 : 813167000
Ranting : 4

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Veit Harlan: The Life and Work of a Nazi Filmmaker on JSTOR
In Walter and Adele Harlan’s Savignyplatz apartment, Veit Harlan was born on September 22, 1899, at 9:15 p.m. Like all of his siblings, he was baptized as a Protestant. A third son, Fritz Moritz, was born on January 26, 1901. He became an opera singer, beginning his career in 1926 in operettas at the Grosses Schauspielhaus Berlin.
Veit Harlan: The Life and Work of a Nazi Filmmaker by
Veit Harlan (1899 1964) was one of Germany's most controversial and loathed directors. After studying with theatre and film pioneer Max Reinhardt and beginning a promising career, he became one of Joseph Goebbels's leading filmmakers under the National Socialist regime.
Veit Harlan: The Life and Work of a Nazi Filmmaker Frank
The first English language biography of the notorious director, Veit Harlan presents an in depth portrait of the man who is arguably the only Nazi filmmaker with a distinct authorial style and body...
Veit Harlan: The Life and Work of a Nazi Filmmaker
Harlan was the product of Weimar Germany’s leftist youth movement and after 1933 managed to combine opportunism with a passionate individualism. The body of work he left is intriguing not despite but because of his moral flaws: his mysticism, sentimentality, and sexism as well as, above all, the perception of himself as a philosopher artist.
Veit Harlan: The Life and Work of a Nazi Filmmaker By
The first English language biography of the notorious director, Veit Harlan presents an in depth portrait of the man who is arguably the only Nazi filmmaker with a distinct authorial style and body of work. Author Frank Noack reveals that both Harlan’s life and work were marked by creative vision, startling ambiguities, and deep moral flaws.
Project MUSE Veit Harlan
The first English language biography of the notorious director, Veit Harlan presents an in depth portrait of the man who is arguably the only Nazi filmmaker with a distinct authorial style and body of work. Author Frank Noack reveals that both Harlan's life and work were marked by creative vision, startling ambiguities, and deep moral flaws.
com: Veit Harlan: The Life and Work of a Nazi
Frank Noack's 'Veit Harlan The Life and Work of a Nazi Filmmaker' is a pleasure to read for anyone interested in this controversial director who will forever be remembered primarily for making the most successful anti Semitic film of all time 1940's JUD SUSS JEW SUSS but we shouldn’t neglect his popular overheated melodramas like 1944’s OPFERGANG WALK OF SACRIFICE shot in glorious ...
Peter Harlan Life and Work, Notes, Sources, The Free
Peter Harlan (born 26 February, 1898, in Berlin, died 13 January, 1966, in Burg Sternberg Lippe) was a German multi instrumentalist and musical instrument maker. In the 1920s he was an employee of the Munich magazine Der Gitarrenfreund.. Life and Work. Peter Harlan came from an artistic family. He was the son of writer Walter Harlan and brother of film director Veit Harlan (Jud Süß).
Veit Harlan The University Press of Kentucky
The first English language biography of the notorious director, Veit Harlan presents an in depth portrait of the man who is arguably the only Nazi filmmaker with a distinct authorial style and body of work. Author Frank Noack reveals that both Harlan's life and work were marked by creative vision, startling ambiguities, and deep moral flaws.
Veit Harlan
Life and career. Harlan was born in Berlin, the son of the writer Walter Harlan and his wife Adele, nee Boothby. His older brother Peter was a multi instrumentalist and musical instrument maker. After studying under Max Reinhardt, he first appeared on the stage in 1915 and, after World War I, worked in the Berlin stage.